Sunday, May 3, 2009
I'M DONE!!!
Monday, April 27, 2009
Saturday, April 25, 2009
BENDING OVER (like in yoga) to give this critiqueeee
Weekend Update with, Betsy Wills
Website Update

Thursday, April 23, 2009
UPDATE!!
Sunday, April 19, 2009
..Crit time.
Tuesday, April 14, 2009
Background
Sunday, April 12, 2009
Update
Vroomm..

Tuesday, April 7, 2009
MORE HTML!!!

don't they look good?
wanna see more? go here!
You know how some stores ask for your e-mail when you are checking out? I never like giving mine away so I've grown accustomed to providing my friend, Anna's. She had no idea why she kept being put on various mailing lists. I thought this was hilarious until I started getting a weekly newsletter from Toys R Us.
Have fun!
One. This is the first cell. Top Left. | Two. This is the second cell. Top Right. |
Three. This is the third cell. Bottom Left. | Four. This is the fourth cell. Bottom Right. |
table time.
Mozilla
Safari
Other
If you liked all my examples, tell me so!
Monday, April 6, 2009
Gary's Critique.
Thursday, April 2, 2009
HTML stufffff
Now, it is purple and big!
My name is Betsy. I like flowers. That's a joke! But, really, how were you supposed to know that?
I always thought that it would be really cool to
be a writer! I would lock myself in a room overlooking a park for hours upon hours and write novels that were like giant fairytales.
But dreams
I also wanted to be an engineer/math teacher/dolphin trainer!
Doesn't it just look better?
- My favorite color is purple.
- I like sleeping in.
- I WOULD REALLY LIKE A NAP RIGHT NOW!
Sunday, March 29, 2009
Without Heinz

Monday, March 23, 2009
Nutru-Grain

Thursday, March 12, 2009
PEPSI.
The large fingers frame the tiny ice cube tray. You immediately wonder, why is this tray so small? Or, why are these fingers so big? Pepsi does a great job showing contrast in size. Like in the Non-Designer’s Design Book, “Go big or go home.” In this case, Pepsi isn’t a wimp. The giant -like fingers crack the tray and let the allow the baby ice cubes a chance to gather the viewer’s attention. But why?
Your eye finally travels to the bottom right corner of the advertisement. Pepsi uses their text-logo to show what product the ad is marketing and then provides a visual image of the new can. The new “mini can,” specifically is written in all lower case letters, to even further the idea of small, compact, miniature.
There is a repetition of fonts- Pepsi uses a specific font whenever they type their product name. They also use a repetition of color. When used over and over again, that common blue becomes associated with the soda. Using it in the background is repetitive and purposeful. All text is also aligned to the right, creating an organized and simple layout.
Thursday, March 5, 2009
Tuesday, March 3, 2009
Thursday, February 26, 2009
Decision is............
To begin this project, I followed the advice from the reading earlier this week; I wrote down multiple lists of words that had to do with my school of choice. My school was Battlefield Elementary School, home of the soldiers! Our colors were red and white. I decided to list and use other words such as stars, stripes, and the color blue to just play up the “America” feel of the soldier. Our logo was an extremely pixilated image of a soldier in black and white. I redrew him in my sketches making him a little bit more playful, adding height, color, and somewhat of a smirk. In a lot of my designs I wanted to incorporate the letter B for Battlefield. I think I used all of my elements pretty successfully. I choose my first listed logo because I think that the soldier is highlighted in the oval nicely and the other elements only add little pieces of flair. It flows well together. I would like to go back and fine-tune it a bit though. I also really like the third one; if I were to go back and make the letter B 3-D then I think it would be more successful. Overall, I just used the line, arc, shape, and fill tools. Illustrator was very hard to figure out, so I stayed with the simple tools.
Wednesday, February 25, 2009
Thursday, February 19, 2009
Sunday, February 15, 2009
RE-Do
02.15.09
I love advertisements that give life to inanimate objects; their eye-catching charm always leaves you wanting more. In this ad, Pepsi ‘oh so nonchalantly’ claims that a red and easily recognizable cola beverage is not as appealing as Pepsi. The straws are each diving into the can for a sip, but the straw on the right is given hands that are forcing itself away from the opening. The opening of the straw is made to look like a frightened mouth. How clever.
The repetition of the soda cans, straws, and actions are evident. The label from the cola product is notably taken out in order to not send consumers in the wrong direction; only Pepsi is noted. It is product placement at its best. The tiny Pepsi logo in the bottom right is one of the last things that your eye grazes over; even more reinforcement thanks to the proximity rule. All of the lines are parallel to each other (straws, sides of can) showing alignment. The left straw’s animation is vastly contrasting the right straw’s still action. The background is blue, once again subtly referencing the Pepsi product.
Tuesday, February 10, 2009
Final Self-Portrait
Monday, February 9, 2009
Marta Mattsson

Here is Marta Mattsson's self-portrait. She is a jeweler from Stockholm, Sweden. Mattsson attempts to integrate biology and art into each of her pieces.
This portrait depicts her wearing a piece of her own jewelry- a necklace made of eels. Her current project draws inspiration from wearing your fear. She is investigating whether making your fear part of your attire may possibly reduce the phobia. She has interviewed seven others and has created a jewelry piece for each.
Mattsson’s nude back presents a blank canvas for not only her piece of jewelry to stand out upon but as a projection of her fear. Nothing exists there to retain it. The ocean setting in the background enforces the natural eel environment. Marta placed herself in a locaton fit for her demised sea creature.
This photograph brings about emotion. Immediately upon looking at it, you sense something, a fear radiates from her eyes. Mattsson doesn’t show a sense of relief or contentedness with her situation. You can feel the intensity through her body movement; her muscles appear to be tense. Though all of this stands to be true, Marta seems at peace.
The black and white creates drama. The eel’s dark tones bring about great contrast to the gracefulness of Mattsson’s pale skin. The gray-scale background draws little attention, plays to the content matter, and acts purposeful to subtly outlining the importance of the image. Using the rule of thirds, Mattsson’s eyes hold the viewer 2/3’s of the way up the page and the bottom 1/3 is greatly focused on the eel's black bodies.
I think the concept behind Mattsson’s work is courageous and inspired. I enjoy the dramatic tones and subtle uses of props to enforce her ideas. I hope to bring honesty like Mattsson’s into my work.
Tuesday, February 3, 2009
Sunday, February 1, 2009
Forged Business Card
